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Croix, Horst de la, and Richard G. Tansey Gardner’s Art Through the Ages. New York: Harcourt, Brace & World, Inc., 1970.
Crosby, Alfred W. The Measure of Reality. Cambridge: Cambridge University Press, 1997.
Crowther, J. G. Founders of British Science. London: Cresset Press, 1960.
Cru, R. Loyalty, Ph.D. Diderot as a Disciple of English Thought. New York: AMS Press, 1966.
Dantzig, Tobias. Number, the Language of Science. New York: Macmillan, 1958.
Daston, Lorraine, and Katharine Park. Wonders and the Order of Nature, 1150–1750. New York: Zone Books, 1998.
David, Hans T., and Arthur Mendel, editors. The New Bach Reader: A Life of Johann Sebastian Bach in Letters and Documents, revised by
Christoph Wolff. New York and London: W. W. Norton, 1998.
Denis, Jean. Treatise on Harpsichord Tuning, translated by Vincent J. Panetta Jr. Cambridge: Cambridge University Press, 1987.
Descartes, René. Compendium of Music, translated by Walter Robert. Leawood, Kans.: American Institute of Musicology 1961.
Oeuvres, edited by Charles Adam and Paul Tannery. Paris: Librairie Philosophique J. Vrin, 1974.
The Essential Writings, translated by John J. Blom. New York: Harper & Row, 1977.
The Philosophical Writings of Descartes, Volume III, The Correspondence, translated by John Cottingham, Robert Stoothoff, Dugald Murdoch, and Anthony Kenny. Cambridge: Cambridge University Press, 1991.
Diderot, Denis. Diderot on Art, Volume I, edited and translated by John Goodman. New Haven and London: Yale University Press, 1995.
The Indiscreet Jewels, translated by Sophie Hawkes. New York: Marsilio Publishers, 1993.
Rameau’s Nephew, translated by Jacques Barzun. Indianapolis: Bobbs-Merrill Company, Inc., 1956.
Dobbs, Betty Jo Teeter. The Foundations of Newton’s Alchemy. Cambridge: Cambridge University Press, 1975.
Dodds, E. R. The Greeks and the Irrational. Berkeley and Los Angeles: University of California Press, 1965.
Duffy, Eamon. Saints and Sinners. New Haven: Yale University Press, 1997.
Durant, Will. The Age of Faith. New York: Simon and Schuster, 1950.
The Reformation. New York: Simon and Schuster, 1957.
The Renaissance. New York: Simon and Schuster, 1953.
Durant, Will and Ariel. The Age of Louis XIV. New York: Simon and Schuster, 1963.
The Age of Reason Begins. New York: Simon and Schuster, 1961.
The Age of Voltaire. New York: Simon and Schuster, 1965.
Eimerl, Sarel. The World of Giotto, c. 1267–1337. New York: Time-Life Books, 1967.
Encyclopedia Judaica. Jerusalem: Keter Publishing House, 1972.
Encyclopedia of World Art. London: McGraw-Hill Book Company, 1960.
Espinasse, Margaret. Robert Hooke. Berkeley and Los Angeles: University of California Press, 1962.
Euclid. The Thirteen Books of Euclid’s Elements, translated by Sir Thomas L. Heath. New York: Dover Publications, 1956.
Farrington, Benjamin. Greek Science. Baltimore: Penguin Books, 1966.
Fauvel, John, Raymond Flood, Michael Shortland, Robin Wilson, editors. Let Newton Be. Oxford: Oxford University Press, 1988.
Ficino, Marsilio. Meditations on the Soul. Rochester, Vt.: Inner Traditions, 1997.
Friedlaender, Walter. Mannerism and Anti-Mannerism in Italian Painting. New York: Schocken Books, 1965.
Galilei, Galileo. Discoveries and Opinions of Galileo, translated by Stillman Drake. Garden City: Doubleday 1957.
Gallo, F. Alberto. Music of the Middle Ages, Volume II, translated by Karen Eales. Cambridge: Cambridge University Press, 1985.
Gardner, John. The Life and Times of Chaucer. New York: Vintage Books, 1978.
Gaukroger, Stephen. Descartes: An Intellectual Biography. Oxford: Clarendon Press, 1995.
Girdlestone, Cuthbert. Jean-Philippe Rameau: His Life and Work. New York: Dover Publications, 1969.
Gould, Stephen Jay. Leonardo’s Mountain of Clams and the Diet of Worms. New York: Harmony Books, 1998.
Grant, Michael. The Rise of the Greeks. New York: Charles Scribner’s Sons, 1987.
Greene, Brian. The Elegant Universe. New York: W. W. Norton & Company, 1999.
Grout, Donald Jay. A History of Western Music. New York: W. W. Norton, 1960.
Hale, John. The Civilization of Europe in the Renaissance. New York: Atheneum, 1994.
Hall, A. Rupert. From Galileo to Newton. New York: Harper & Row, 1963.
The Scientific Revolution, 1500–1800: The Formation of the Modern Scientific Attitude. Boston: Beacon Press, 1966.
Hall, David L., and Roger T. Ames. Thinking from the Han: Self, Truth, and Transcendence in Chinese and Western Culture. Albany: State University of New York Press, 1998.
Hamlin, Talbot. Architecture Through the Ages. New York: G. P. Putnam’s Sons, 1953.
Heer, Friedrich. The Medieval World. Cleveland: World Publishing Company, 1961.
Hollander, John. The Untuning of the Sky: Ideas of Music in English Poetry, 1500–1700. New York: W. W. Norton, 1970.
Hoppin, R ichard H. Medieval Music. New York: W. W. Norton & Company, 1978.
Huntley, H. E. The Divine Proportion: A Study of Mathematical Beauty. New York: Dover Publications, 1970.
Huygens, Christiaan. Le Cycle Harmonique; Novus Cyclus Harmonicus, edited by Rudolf Rasch. Utrecht: Diapason Press, 1986.
Hyman, Isabelle, editor. Brunelleschi in Perspective. Englewood Cliffs, N.J.: Prentice-Hall, Inc., 1974.
James, Jamie. The Music of the Spheres. New York: Copernicus, 1995.
Jorgensen, Owen H. Tuning: Containing the Perfection of Eighteenth-Century Temperament, the Lost Art of Nineteenth-Century Temperament and the Science of Equal Temperament. East Lansing: Michigan State University Press, 1991.
Keane, Sister Michaela Maria. The Theoretical Writings of Jean-Philippe Rameau. Washington, D.C.: Catholic University of America Press, 1961.
Kepler, Johannes. The Harmonies of the World, Great Books of the Western World, ed. Robert Hutchins. Chicago: Encyclopaedia Britannica, 1952.
Kirnberger, Johann Philipp. The Art of Strict Musical Composition, translated by David Beach and Jurgen Thym. New Haven and London: Yale University Press, 1982.
Kitto, H. D. F. The Greeks. Baltimore: Penguin Books, 1965.
Koestler, Arthur. The Watershed: A Biography of Johannes Kepler. Garden City, N.Y.: Anchor Books, 1960.
Kristeller, Paul Oskar. Renaissance Thought: The Classic, Scholastic, and Humanist Strains. New York: Harper Torchbooks, 1961.
Kuttner, Fritz A. The Archeology of Music in Ancient China. New York: Paragon House, 1990.
Larner, John. Marco Polo and the Discovery of the World. New Haven and London: Yale University Press, 1999.
Lasserre, Pierre. The Spirit of French Music, translated by Denis Turner. New York: E. P. Dutton & Co., 1921.
Lau, D. C, and Roger T. Ames, translators. Yuan Dao: Tracing Dao to Its Source. New York: Ballantine Books, 1998.
Lavin, Irving, editor. Gianlorenzo Bernini: New Aspects of His Art and Thought. University Park and London: Pennsylvania State University Press, 1985.
Le Blanc, Charles. Huai-Nan Tzu: Philosophical Synthesis in Early Han Thought. Hong Kong: Hong Kong University Press, 1985.
Lindley Mark. Lutes, Viols and Temperaments. Cambridge: Cambridge University Press, 1984.
Lippman, Edward A., editor. Musical Aesthetics: A Historical Reader, Volume I. New York: Pendragon Press, 1986.
Lloyd, Lt. S., and Hugh Boyle. Intervals, Scales and Temperaments. London: Macdonald, 1963.
Lorris, Guillaume de, and Jean de Meun. The Romance of the Rose, translated by Charles Dahlberg. Hanover: University Press of New England, 1986.
Lowinsky Edward E. Music in the Culture of the Renaissance and Other Essays, Bonnie J. Blackburn, editor. Chicago: University of Chicago Press, 1989.
Lowinsky, Edward E. Adrian Willaert’s Chromatic «Duo» Re-Examined. Utrecht: Instituut voor Muziekwetenshap [after 1957].
Manchester, William. A World Lit Only by Fire: The Medieval Mind and the Renaissance. Boston: Little, Brown and Company, 1992.
Manetti, Antonio. The Life of Brunelleschi, translated by Catherine Enggass. University Park and London: Pennsylvania State University Press, 1970.
Manuel, Frank E. A Portrait of Isaac Newton. Cambridge: Belknap Press of Harvard University Press, 1968.
Marshall, David. The Surprising Effects of Sympathy. Chicago: University of Chicago Press, 1988.
Mathieu, W A. Harmonic Experience. Rochester, Vt.: Inner Traditions International, 1997.
McClain, Ernest G. The Myth of Invariance. New York: Nicolas Hays, Ltd., 1976.
Mei, Girolamo. Letters on Ancient and Modern Music, annotated by Claude V. Palisca. Leawood, Kans.: American Institute of Musicology, 1960.
Mersenne, P. Marin. Correspondance, annotated by Cornelis de Waard. Paris: Editions du Centre National de la Recherche Scientifique, 1965.
Michel, Paul Henri. The Cosmology of Giordano Bruno. Ithaca: Cornell University Press, 1973.
Murdoch, Iris. The Fire and the Sun: Why Plato Banished the Artists. Oxford: Clarendon Press, 1977.
Murray, Peter and Linda Murray. The Art of the Renaissance. New York and Washington: Frederick A. Praeger, 1966.
Neuwirth, Erich. Musical Temperaments. New York and Vienna: Springer, 1997.
Newman, James R., editor. Men and Numbers. New York: Simon and Schuster, 1956.
Newton, Sir Isaac. Mathematical Principles of Natural Philosophy. Encyclopaedia Britannica, Inc., 1934.
Treatise on Musical Temperament, unpublished, in the collection of Cambridge University Library.
O’Brien, Grant. Ruckers: A Harpsichord and Virginal Building Tradition. Cambridge: Cambridge University Press, 1990.
O’Kelly Bernard, editor. The Renaissance Image of Man and the World. Columbus: Ohio State University Press, 1966.
Page, Christopher. Discarding Images. Oxford: Clarendon Press, 1993.
The Owl and the Nightingale: Musical Life and Ideas in France, 1100–1300. London: J. M. Dent, 1989.
Palisca, Claude V. The Florentine Camerata. New Haven: Yale University Press, 1989.
Girolamo Mei: Letters on Ancient and Modern Music. A Study. Leawood, Kans.: American Institute of Musicology, 1960.
Panofsky, Erwin. The Codex Huygens and Leonardo da Vinci’s Art Theory. Westport, Conn.: Greenwood Press, 1971.
Partridge, Eric. Origins. New York: Macmillan Publishing Co., 1977.
Perkins, Leeman L. Music in the Age of the Renaissance. New York: W. W. Norton, 1999.
Pollens, Stewart. The Early Pianoforte. Cambridge: Cambridge University Press, 1995.
Pound, Ezra. Shih-Ching: The Classic Anthology Defined by Confucius. Cambridge: Harvard University Press, 1954.
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