INTERNAL COLONIZATION
Alexander Etkind
INTERNAL COLONIZATION
INTERNAL COLONIZATION
ALEXANDER ETKIND
polity
Copyright © Alexander Etkind 2011
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CONTENTS
Part I The Non-Traditional Orient
Less than One and Double 13
Worldliness 27
Part II Writing from Scratch
Chasing Rurik 45
To Colonize Oneself 61
Barrels of Fur 72
Part III Empire of the Tsars
Occult Instability 93
Disciplinary Gears 123
Internal Affairs 150
Part IV Shaved Man's Burden
Philosophy Under Russian Rule 173
Sects and Revolution 194
Re-Enchanting the Darkness 214
Sacrificial Plotlines 231
ACKNOWLEDGMENTS
In writing this book, I have built up a number of debts that cannot be returned. My parents, art historians Mark Etkind and Julia Kagan, defined my interests in unaccountable ways. My stepfather, philosopher Moisei Kagan, and my uncle, literary scholar Efim Etkind, gave examples of brilliance and courage. Every page of this book keeps the breath, temper, and care of Elizabeth Roosevelt Moore, my muse, opponent, and editor. Our sons, Mark and Moses, have inspired and distracted me in the proportion that has been, and will always be, quite right.
Igor Smirnov, Nancy Condee, Svetlana Boym, and Mark Lipovetsky gave this work early and invaluable encouragement. Oleg Kharkhordin, Irina Prokhorova, Irene Masing-Delic, and Alastair Renfrew edited the first versions of some of these ideas; their long-standing support is much appreciated. Conversations with Gyan Prakash helped me receive some wisdom from the mainstream of postcolonial studies. Eli Zaretsky and John Thompson were instrumental in making me write it all down. An exciting conference,
Parts of Chapters 6, 7, and 12 were published in the Russian journals,
LIST OF ILLUSTRATIONS
Figure 1: Joseph Swain, "Save me from my friends!", 1878. 33
Figure 2: Charles Malik and Eleanor Roosevelt working
on the Declaration of Human Rights, 1948. 40
Figure 3: Viktor Vasnetsov,
Figure 4: Sergei Uvarov, portrait by Orest Kiprensky (1815). 54
Figure 5: Aleksei Olenin, Demeter-Ceres, a Greek-Roman
Goddess 1812. 57
Figure 6: Vasilii Surikov,
Figure 7: Coat of Arms of the Stroganovs, 1753. 85
Figure 8: The coat of arms of Abram Gannibal (c. 1742). 96
Figure 10: Johann Reinhold Forster. The map of German
colonies on the Volga,1768. 130
Figure 11: A cavalry training ring in Selishche,
near Novgorod, built in 1818-25. 137
Figure 12: The Perovsky descendants of Aleksei
Razumovsky (1748-1822). 153
Figure 13: Karl Briullov, Vasilii Perovsky on the capital
of a column, 1824. 154
Figure 14: Pushkin and Dal presented on
an icon as St Kozma and St Damyan. 163
Figure 15: Andrei Bolotov's self-portrait, c. 1790. 183
Figure 16: Afanasii Shchapov, 1872. 195
Figure 17: Lenin and Bonch-Bruevich, October 16,
1918. 209
Figure 18: Ilia Repin. Portrait of Nikolai Leskov, 1888. 225
Introduction
In 1927 in Moscow, Walter Benjamin noted that Russia had no use for the romantic concept of the east. "Everything in the world is here on our own soil," his Russian friends told him. "For us there is no 'exoticism'," they stated; exoticism is nothing but "the counterrevolutionary ideology of a colonial nation." But having killed the idea of the east, these intellectuals and filmmakers brought it back to life again, and on a huge scale. For their new films "the most interesting subject" was Russian peasants, a group that these intellectuals believed were deeply different from themselves: "The mode of mental reception of the peasant is basically different from that of the urban masses." When these peasants watched films, they seemed to be incapable of following
Studying imperial Russia, scholars have produced two stories. One concerns a great country that competes successfully, though unevenly, with other European powers, produces brilliant literature, and stages unprecedented social experiments. The other story is one of economic backwardness, unbridled violence, misery, illiteracy, despair, and collapse. I subscribe to both of these at once. In contrast to the Russian peasants whom Benjamin's friends exoticized in line with an age-long tradition, scholars cannot afford one-track thinking. But scholarship is not a dual carriageway, either. We need to find a way to coordinate the different stories that we believe in. My solution is a kind of Eisensteinian
In 1904, the charismatic historian Vasilii Kliuchevsky wrote that Russian history is "the history of a country that colonizes itself. The space of this colonization widened along with the territory of the state" (1956: 1/31).[1] Coextensive with the state, self-colonization was not directed away from the state borders but expanded along with the movement of these borders, filling the internal space in waves of various intensities. At that moment, this formula of Russia's self- colonization had already had a long history in Russian thought, which I describe in Chapter 4. Enriched by twentieth-century colonial and postcolonial experiences, we can draw further conclusions from this classical formula. Russia has been both the subject
Exploring the historical experience of the Russian Empire before the revolutionary collapse of 1917, this book illuminates its relevance for postcolonial theory. However, I turn the focus onto Russia's internal problems, which have not previously been discussed in postcolo- nial terms. Since the 1990s, scholarly interest in the causes and results of the Russian revolution has paled in comparison to the explosion of research on the Russian Orient, orientalism, and Empire.[2]
Historians have learned to avoid the Soviet-style, teleological approach to the revolution and the terror that followed, which explains the preceding events as "the preparation" for the subsequent ones. However, historians - and all of us - need explanations for why the Russian revolution and the Stalinist terror occurred on the territory of the Russian Empire. Such explanations cannot be sought exclusively in the preceding era, but they, or at least a part of them, also cannot be disconnected from the historical past. I do not aim to explain the revolution, but I do believe that a better grasp of imperial Russia can help us toward a clearer understanding of the Soviet century. I am also trying to bridge the gap between history and literature, a gap that few like but many maintain. Some time ago, Nancy Condee formulated the idea that while area studies is an interdisciplinary forum, cultural studies "incorporate[s] interdisciplinarity into the project itself" (1995: 298). This book is a project in cultural studies.
Incorporating different disciplines, voices, and periods is a risky task for a cultural historian. I take courage in the idea that high literature and culture in Russia played significant roles in the political process. As I will demonstrate in several examples, "transformationist culture" was an important aspect of internal colonization. Due to a paradoxical mechanism that Michel Foucault helps to elucidate in his "repressive hypothesis" (Foucault 1998; see also Rothberg 2009), oppression made culture politically relevant and power culturally productive. For an empire such as Russia's, its culture was both an instrument of rule and a weapon of revolution. Culture was also a screen on which the endangered society saw itself - a unique organ of self-awareness, critical feedback, warning, and mourning.
In Russia, social revolutions resulted in magnificent and tragic transformations. However, the continuities of this country's geography and history have also been remarkable. Russia emerged on the international arena at the same time as the Portuguese and Spanish Empires; it grew in competition with great terrestrial empires, such as the Austrian and Ottoman in the west, the Chinese and North American in the east; it matured in competition with the modern maritime empires, the British and French; and it outlived most of them. An interesting measure, the sum total of square kilometers that an empire controlled each year over the centuries, shows that the Russian Empire was the largest in space